mardi 5 janvier 2021

Les latitudes du corps

"Latitudes of the Body". Human-Based Measurement and its Contexts, from Leonardo to Newton (1400-1700)

CSMBR SUMMER SCHOOL PROGRAMME 2021

Organiser: Fabrizio Bigotti (CSMBR, JMU Wurzburg, University of Exeter)
 

Keynote Speakers:
Martin Kemp (University of Oxford)
Michael Stolberg (Julius Maximilians–Universität, Würzburg),
Giulia Martina Weston (The Courtauld Institute of Art, London)
 

The 2021 CSMBR summer school will explore theories, applications, problems, and contexts of human-based measurements across the late medieval and early modern period (c.1400-1700). It builds upon a series of four intertwined questions:

• How was it like experiencing the world before the advent of universally standardised measurement?

• What role did the human body, its limbs and the five senses play in defining spaces, distances, values, lists of objects, schemes and prices?

• How were systems of human-based measurement affected by the advent of early modern technology?

• To what extent can we replace human-based and value-laden measurement with technology-based parameters?

 

These questions will be addressed both in presentations and roundtables by focusing on three main themes, namely

1) the Body as a Canon and its Proportions
2) the Body as a Unit of Measurement: Place, Space, and Orientation
3) the Body as Unit of Value: Quality and Price

Under each headline speakers will be discussing how the three-dimensionality of the body and its limbs affected theories of proportion (Galen, Leonardo, Dürer, Vesalius, Palladio, etc.) as well as the shaping of architectural and urban spaces in normal and pathological conditions (e.g. homes, temples, hospices, pharmacies, hospitals and areas of confinement); the methods and orders of dissection and their impact on learned representations of the body (Berengario da Carpi, Bassiano Landi, Acquapendente). Particular attention will be devoted to the five senses and to the way the sense of taste defined values of quality/purity and thus prices of foodstuff on the market (drugs, spices, etc.), how the mapping of colours and shades helped classifying substances (uroscopy, classification of mixtures); how the anatomy of the eye was related to the definition of “visual space” in the perception of external objects, the development of acoustics and harmonics in relation to the anatomy of the ear as well as, more generally, how philosophical theories of natural space (locus) and spatial orientation developed side by side with an analysis of sense-perception. Special emphasis shall also be laid on how units of measure in terms of inches, palms, fathoms, and feet were relevant in the making of maps, astronomical observations and diagrams of latitude as well as on the relation between heartbeat and time, in medicine as well as in music.

While strongly rooted in the intellectual history tradition, the summer school will present and discuss a variety of verbal and non-verbal sources (e.g. manuscripts, images, music pieces, and artefacts) in a multidisciplinary approach that aims at attracting and welcoming scholars with different backgrounds, interests and expertise.

 

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The summer school spans across four days, articulated as 3+1, namely three days of lectures plus a final day entirely dedicated to roundtables and to the discussion of presentations from attendees (see below). To these, two workshops are added: the former (late morning) shall focus on reading and interpreting manuscript sources relevant to the visualisation of the body (Stolberg), the latter (late afternoon) will be devoted to hands-on experimentation with replicas of early modern instruments (esp. Santorio’s pulsilogium).

 

* * *

To engage fully with the speakers during this four-day experience, attendees are strongly invited to elaborate their own contributions on the topics discussed, either in the form of PowerPoint presentations and/or as short papers (max. 5 min). These will be followed by thematic roundtables focusing on the analysis of non-verbal sources, including relevant artefacts, images, videos, and music tracks.

Roundtables topics can also be proposed by the attendees upon reaching an agreement amongst not less than 3 people interested. For organisational reasons, only two such round tables can be proposed and must be communicated to the panel at least 3 weeks prior to the official beginning of the Summer School.

 

* * *

The Summer School runs in association with the Santorio Fellowship scheme which shall open in January 2021.

Five Santorio Fellowships, worth of €500 will be offered throughout by means of an application process. Applicants should send a cover letter (max. 300 words), CV (max. 2 pages) and a reference letter to the following address: santoriofellowship@csmbr.fondazionecomel.org. The deadline is 30 April 2021 with successful applications notified by mid-May.

For further details or queries please contact info@csmbr.fondazionecomel.org or email to the organiser at fb@csmbr.fondazionecomel.org specifying the object “CSMBR Summer School”.

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