Journées d'études organisées par Mireille Berton, Elodie Murtas et Raphaël Tinguely.
Mercredi 2 mars 2022 - 13h30 au Vendredi 4 mars 2022 - 17h00 - Amphimax - 412 et 414
Wednesday, March 2 | Amphimax 412
15:30 The Hypnosis Films of Ludwig Mayer
Keynote Lecture by Andreas Killen (The City College of New York / CUNY) Chair: Mireille Berton (UNIL)
Friday, March 4 | Amphimax 414
Panel 4 – Collecting, Archiving and Curating Images of Madness
Chair: Simone Venturini (U. of Udine), Elodie Murtas (UNIL)
9:30 Angela Saward (Wellcome Collection, London)
Medical Film’s Lives and Afterlives: A Case Study of AV Material Held at WC Captured Through
a Neurological Lens
10:00 Katrin Luchsinger (art historian, Zurich)
Not a Portrait. Photography in Swiss Psychiatric Institutions around 1900
10:30 Discussion
11:30 Lucas Iliani & Léa Ritter (Cinémathèque suisse)
The Waldau Collection: From Cataloguing to Physical Identification
12:15 Discussion
14:00 Round-table – Working on Medical Films: Problems and Methods
Introduction: David Cantor (IDES, Buenos Aires)
Participants: Christian Bonah,
Caroline Fournier (Cinémathèque suisse), Katrin Pilz, Angela Saward,
Simone Venturini
16:00 Conclusion
Wednesday, March 2 | Amphimax 412
13:30 Welcome and introduction
Mireille Berton (UNIL)
Panel 1 – Filming the Brain: Netherlands and Switzerland
Chair: Lorenzo Lorusso (Neurologia Osp. Merate)
14:00 Kimberley Fleuren & Peter J. Koehler (U. Hospital of Maastricht)
A Selection of the Magnus-Rademaker Film Collection (1909-1941)
14:30 Leander Diener (U. of Zurich)
Filming the Primitive.
Walter Rudolf Hess and the “Sign Language of Behavior“ (1927-1951)
15:30 Raphaël Tinguely (UNIL)
Ernst Grünthal’s Films at the Waldau. The Case of E.E.G. (1940s -1950s)
16:00 Discussion
Thursday, March 3 | Amphimax 414
Mireille Berton (UNIL)
Panel 1 – Filming the Brain: Netherlands and Switzerland
Chair: Lorenzo Lorusso (Neurologia Osp. Merate)
14:00 Kimberley Fleuren & Peter J. Koehler (U. Hospital of Maastricht)
A Selection of the Magnus-Rademaker Film Collection (1909-1941)
14:30 Leander Diener (U. of Zurich)
Filming the Primitive.
Walter Rudolf Hess and the “Sign Language of Behavior“ (1927-1951)
15:30 Raphaël Tinguely (UNIL)
Ernst Grünthal’s Films at the Waldau. The Case of E.E.G. (1940s -1950s)
16:00 Discussion
Thursday, March 3 | Amphimax 414
Panel 2 – Early Neurocinematography in Europe: Belgium and Spain
Chair: David Cantor (IDES, Buenos Aires)
10:00 Katrin Pilz (LBI for Digital History, Vienna)
Useful – Unseen – Uncanny: Early Neuroscientific Films in Belgium
10:30 Paula Arantzazu Ruiz Rodríguez (U. of Murcia)
Antonio Subirana’s Neurological Films, Remains of the Catalan Neurology Golden Age
11:00 Discussion
Panel 3 – Early Neurocinematography in Europe: France and Italy
Chair: Christian Bonah (U. of Strasbourg)
13:30 Maia Woolner (McGill University, Montréal)
Cinema of the (In)visible: Jean Comandon’s Neuropsychiatric Films
14:00 Lorenzo Lorusso (Neurologia Osp. Merate)
Gaetano Rummo (1853-1917). A Pioneer of the Neuro-cinematography in Europe
14:30 Discussion
Chair: David Cantor (IDES, Buenos Aires)
10:00 Katrin Pilz (LBI for Digital History, Vienna)
Useful – Unseen – Uncanny: Early Neuroscientific Films in Belgium
10:30 Paula Arantzazu Ruiz Rodríguez (U. of Murcia)
Antonio Subirana’s Neurological Films, Remains of the Catalan Neurology Golden Age
11:00 Discussion
Panel 3 – Early Neurocinematography in Europe: France and Italy
Chair: Christian Bonah (U. of Strasbourg)
13:30 Maia Woolner (McGill University, Montréal)
Cinema of the (In)visible: Jean Comandon’s Neuropsychiatric Films
14:00 Lorenzo Lorusso (Neurologia Osp. Merate)
Gaetano Rummo (1853-1917). A Pioneer of the Neuro-cinematography in Europe
14:30 Discussion
15:30 The Hypnosis Films of Ludwig Mayer
Keynote Lecture by Andreas Killen (The City College of New York / CUNY) Chair: Mireille Berton (UNIL)
Friday, March 4 | Amphimax 414
Panel 4 – Collecting, Archiving and Curating Images of Madness
Chair: Simone Venturini (U. of Udine), Elodie Murtas (UNIL)
9:30 Angela Saward (Wellcome Collection, London)
Medical Film’s Lives and Afterlives: A Case Study of AV Material Held at WC Captured Through
a Neurological Lens
10:00 Katrin Luchsinger (art historian, Zurich)
Not a Portrait. Photography in Swiss Psychiatric Institutions around 1900
10:30 Discussion
11:30 Lucas Iliani & Léa Ritter (Cinémathèque suisse)
The Waldau Collection: From Cataloguing to Physical Identification
12:15 Discussion
14:00 Round-table – Working on Medical Films: Problems and Methods
Introduction: David Cantor (IDES, Buenos Aires)
Participants: Christian Bonah,
Caroline Fournier (Cinémathèque suisse), Katrin Pilz, Angela Saward,
Simone Venturini
16:00 Conclusion
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