Sick girls in European visual art, literature, medical science and popular culture in the 19th century
Call for papers
Aarhus University, November 7 & 8 2019
Deadline June 15, 2019
We're delighted to announce a Call for Papers for the conference Sick girls in European visual art, literature, medical science and popular culture in the 19th century, at Aarhus University on November 7-8 2019.
The motif “sick girl” was dealt with by artists all the way back to the 17th century where especially the Dutch painters made a lot of works with the subject sick girl/young woman, but it was only at the end of the 19th century that this motif became popular among European artists. In these works the artists created an individual picture of illness, which contrasted with the focus on the body as an anatomical research object and the body seen below the skin as in microbiology. The artists literally gave the state of being sick a face at time when there were several pioneering discoveries and inventions in the field of medicine, inventions that focused more on the inside of the body than the outside.
Some of the most iconic and renowned works of sick girls are made by Nordic artists like Christian Krohg, Edvard Munch, and Helene Schjerfbeck works that place the sick girls in interiors which are more or less infected by the illness of the young girl. However, the motif “sick girl” is seen all over Europe in the 19th century and the works of the sick girls were made during a period in which there was a huge focus on illness and various diseases. The motifs of the sick girls in visual art reappear in the 1800s at the same time as medical science experiences a huge progress, a discrepancy that can only partly be explained by the fact that despite medical progress a lot of people still died from trivial diseases.
This transdisciplinary international conference seeks to explore how illness in the shape of the images of the sick girls in the 19th century was addressed in visual art, literature, science, and popular culture. In relation to how the sick girl is depicted one of the conference aims is to look at connections and differences between visual art, literature, medical science and popular culture.
Some of the most iconic and renowned works of sick girls are made by Nordic artists like Christian Krohg, Edvard Munch, and Helene Schjerfbeck works that place the sick girls in interiors which are more or less infected by the illness of the young girl. However, the motif “sick girl” is seen all over Europe in the 19th century and the works of the sick girls were made during a period in which there was a huge focus on illness and various diseases. The motifs of the sick girls in visual art reappear in the 1800s at the same time as medical science experiences a huge progress, a discrepancy that can only partly be explained by the fact that despite medical progress a lot of people still died from trivial diseases.
This transdisciplinary international conference seeks to explore how illness in the shape of the images of the sick girls in the 19th century was addressed in visual art, literature, science, and popular culture. In relation to how the sick girl is depicted one of the conference aims is to look at connections and differences between visual art, literature, medical science and popular culture.
The conference language is English and we welcome 20-minute proposals for papers.
Possible paper topics may include, but are not limited to:
Possible paper topics may include, but are not limited to:
- Representations of ”the sick girl” in different art forms like 19th century visual art, literature and popular culture
- The history of the motif ”sick girl” in visual art, literature, popular culture and/or medical illustrations
- A comparison between the depictions of sick girls/young women in 17th century Dutch art and 19th century European art
- A discussion of how the motif "sick girl" refers to the art historical tradition of images of disease in visual art
- Comparative studies of descriptions of female illness in medical handbooks, patient journals, literature, and visual art
- Examination of the difference between male and female illness in literature, visual art, and/or popular culture in the 19th century
- Investigation of how degeneration affects literature and visual arts in the 19th century Comparison of the conncetions and/or differences between the depictions of sick girls and the vitalistic figure at the end of the 19th century
- Analysis of the sick room both in terms of interior design and furniture but also figuratively - how does illness affect the (sick) room and how does the (sick) room affect the sick girls?
- Examination of depictions of physical and mental illness with focus on the female figure
The proposal and CV should be sent as attachments to Mette Bøgh Jensen mbj@cc.au.dk .
Your participation will be confirmed by August 15, 2019.
Confirmed keynote speakers:
Dr. Gemma Blackshaw, Professor, Art history, School of Humanities and Performing Arts,
Plymouth University.
Jens Lohfort Jørgensen, Associate professor, Department of Culture and Global Studies, The
Faculty of Humanities, Aalborg University.
Dr. Barbara Larson, Professor and Chair, Art Department, University of West Florida
Professor Hilary Marland, Principal Investigator on a Wellcome Trust Senior Investigator
Award, University of Warwick, Centre for the History of Medicine.
Allison Morehead, Associate Professor of Art History and Cultural Studies, Department of
Art History & Art Conservation, Cultural Studies, Queen’s University
The conference is organised by postdoc Mette Bøgh Jensen (Aarhus University, Art
Museums of Skagen, The Hirschsprung Collection)
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